Note: The UK and US versions of this and several other Fleetway/Quality series got out of sync, with some issues being dated differently for UK and US editions until the US editions skipped two months of content, which was reprinted only in the UK versions. This put the numbering of the two versions out of sync so that finally Fleetway/Quality double-numbered the US editions for two issues in order that the numbers and contents of the two editions matched again. See the individual issue records for the specifics.

Note: The UK and US versions of this and several other Fleetway/Quality series got out of sync, with some issues being dated differently for UK and US editions until the US editions skipped two months of content, which was reprinted only in the UK versions. This put the numbering of the two versions out of sync so that finally Fleetway/Quality double-numbered the US editions for two issues in order that the numbers and contents of the two editions matched again. See the individual issue records for the specifics.

Note: Publisher of at least issues 20-21 noted as S.Q.P. Inc., by indexer Frank Plowright.

Note: Grim, surreal future war story. This series reprints the first 3 "books". WARNING: "The Mean Arena"'s second story arc, reprinted in issues 12-19 and 2000 AD Showcase #48-54, never concludes.

Note: Reprint series focusing on Post-"Oz" hand-colored Dredd strips.

Note: Reprints the 18-part "Flesh: The Legend of Shamana" from Britain's 2000 AD magazine.

Note: More reprints from 2000 A.D., mostly taking place before "Oz" (2000 AD, 1977 series) progs (issue) #545-570. The UK and US versions of this and several other Fleetway/Quality series got out of sync, with some issues being dated differently for UK and US editions until the US editions skipped two months of content, which was reprinted only in the UK versions. This put the numbering of the two versions out of sync so that finally Fleetway/Quality double-numbered the US editions for two issues in order that the numbers and contents of the two editions matched again. See the individual issue records for the specifics.

Note: Short-lived American edition of the British Judge Dredd the Megazine (Fleetway Publications, 1990 series)

Note: The second of five volumes entitled Judge Dredd: The Megazine, this one continues from the twenty issue first volume, but restarts with Issue 1. The third of these five volumes moves over to the publisher Rebellion.

Note: Fleetway's first high-production-value hand-colored reprint series. No colorist credits are given, but since the color style changes between artists and is consistent across stories by the same artist, I'm assuming they did their own.

Note: No actual dates are printed on the comics. Reprints of the 2000 A. D. magazine series with most issues recolored. Possible added pages and stories combined and new story titles used.

Note: Assigned ISSN 0960-7072

Note: This series reprints the complete 26-episode "Necropolis" epic plus several framing stories (picking up where the JUDGE DREDD: TALE OF THE DEAD MAN graphic album leaves off).

Note: Probably was the first series to begin under the joint Fleetway/Quality banner, and it shows much higher production values (squarebound, good paper and printing).

Note: This miniseries reprints the stories "Night Zero" and "Beyond Zero" from the British weekly 2000 AD.

Note: The UK and US versions of this and several other Fleetway/Quality series got out of sync, with some issues being dated differently for UK and US editions until the US editions skipped two months of content, which was reprinted only in the UK versions. This put the numbering of the two versions out of sync so that finally Fleetway/Quality double-numbered the US editions for two issues in order that the numbers and contents of the two editions matched again. See the individual issue records for the specifics.

Note: Futuristic detective hunts rogue robots. Very tongue-in-cheek. Three month gap between the last issue under the previous publisher and the first under this one. The UK and US versions of this and several other Fleetway/Quality series got out of sync, with some issues being dated differently for UK and US editions until the US editions skipped two months of content, which was reprinted only in the UK versions. This put the numbering of the two versions out of sync so that finally Fleetway/Quality double-numbered the US editions for two issues in order that the numbers and contents of the two editions matched again. See the individual issue records for the specifics.

Note: Killer beastie stories reprinted from Britain's weekly 2000 AD magazine. Also scattered throughout the books are numerous uncredited pinups (probably done by the story artists). The UK editions of this title continue the numbering of Spellbinders (Fleetway/Quality, 1987 series), while the US editions of this title start over with #1.

Note: This series picks up right where Spellbinders #5 ends, continuing to just before "The Horned God." The UK and US versions of this and several other Fleetway/Quality series got out of sync, with some issues being dated differently for UK and US editions until the US editions skipped two months of content, which was reprinted only in the UK versions. This put the numbering of the two versions out of sync so that finally Fleetway/Quality double-numbered the US editions for two issues in order that the numbers and contents of the two editions matched again. See the individual issue records for the specifics.

Note: Fleetway/Quality decided to retitle the comic Slaine the King when reprints of that story arc began.

Note: The 13th issue under this title was only published in the UK. The UK editions of Scavengers (Fleetway/Quality, 1988 series) continued this numbering, while the US editions of Scavengers (Fleetway/Quality, 1988 series) started over with #1.

Note: Finally, Johnny Alpha gets his own series. The UK and US versions of this and several other Fleetway/Quality series got out of sync, with some issues being dated differently for UK and US editions until the US editions skipped two months of content, which was reprinted only in the UK versions. This put the numbering of the two versions out of sync so that finally Fleetway/Quality double-numbered the US editions for two issues in order that the numbers and contents of the two editions matched again. See the individual issue records for the specifics.

Note: Anthology comic collecting short stories from Britain's 2000 A. D. Weekly. Includes early work by many Big Name writers (Moore, Milligan, Morrison, Gaiman, Delano) and artists (Gibbons, Ridgway, McCarthy, Leach, Ewins, Talbot).