Title | Pages | Job Number | Notes |
[untitled]
Illustration on Cover, Front |
1 | ||
[untitled]
Story on Interior Page(s) |
9 | The crude figures and faces are similar to Battefield's credited stories in this series. | |
[untitled]
Story on Interior Page(s) |
8 | The art here is similar to Schrotter's signed story in Heroic Comics (Eastern, 1943 series) #38. He has some special scrolls in the ears. | |
Message for the Cops
Text Story on Interior Page(s) |
2 | ||
The Black Cat
Story on Interior Page(s) |
7 | The very open eyes and soft, rounded inking and also movement is similar to Allison's many credited stories, like Blue Circle Comics #2, Camera Comics #1, Cowboy Western #38. | |
[untitled]
Story on Interior Page(s) |
1 | ||
[untitled]
Story on Interior Page(s) |
6 | DeLay can be recognized by the "slow" movement of the rather short figures. Also faces and the layout style more like old book illustrations. | |
The Man Who Should Have Died
Story on Interior Page(s) |
6 | ||
[untitled]
Cartoon on Interior Page(s) |
1 | ||
[untitled]
Story on Interior Page(s) |
8 | Art was previously attributed to Gerald Altman, but the way the eyes, teeth, and ears are drawn more closely resembles those of Chu’s in his Green Turtle art from Blazing Comics (1944-1945). Some of the lettering on the torii on the splash page also matches the lettering on his signed Late Summer painting from 1934: http://chimericaneyes.blogspot.com/2014/01/about-artist-chu-f-hing.html |