Detail
Dark Horse
0 
Notes:
Collects Weird Science (EC, 1950 series) #12-15 and Weird Science (EC, 1951 series) #5-6.
Format
Reprinted In0
Reprinted From0
Images1
Notes:
Reprinted cover with new trade dress for EC Archives edition.
Notes:
Colors were previously recorded as the work of Marie Severin, but it is unlikely that Severin had begun coloring at EC when this issue was colored (Cassell 2012, 33–34 and 171). The source previously cited by GCD may have been intended to refer to new colors done for Russ Cochran’s 1980 slipcased reprint of the series.
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Swipe of the story "He Who Shrank" by Henry Hasse (first published in Amazing Stories for August 1936).
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Much of the story is told in a series of dreams (flashbacks).
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Text story with single panel illustration.
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Text story with single panel illustration.
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Promo ad for the Picture Stories series of titles.
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Story title taken from the first story.
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Cover story.
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Colors were previously attributed to Marie Severin (see Indexer Notes for this issue’s cover, above).
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Text story with single panel illustration.
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Script credit from "Tales of Terror! - The EC Companion" by Fred von Bernewitz and Grant Geissman.
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Text story with single panel illustration.
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Promo ad for the Picture Stories series of titles.
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Marie Severin’s statement that “[Harvey] Kurtzman colored his own art, especially on covers...” (1995) suggests that Kurtzman colored stories that he drew, albeit perhaps less consistently than he colored his cover art.
Notes:
Colors were previously recorded as the work of Marie Severin, but it is unlikely that Severin had begun coloring at EC when this issue was colored (Cassell 2012, 33–34 and 171). The source previously cited by GCD may have been intended to refer to new colors done for Russ Cochran’s 1980 slipcased reprint of the series.
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Promo ad for EC titles.
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Cover story.
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Based on "The Sound Machine" by Roald Dahl.
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Promo ad for Haunt of Fear (EC, 1950 series) #17 [3].
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Promo ad for Picture Stories series of titles.
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Story inspired by "The Mechanical Mice" by Maurice A. Hugi.
Notes:
Colors were previously attributed to Marie Severin (see Indexer Notes for this issue’s cover, above).
Notes:
Colors were previously recorded as the work of Marie Severin, but it is unlikely that Severin had begun coloring at EC when this issue was colored (Cassell 2012, 33–34 and 171). The source previously cited by GCD may have been intended to refer to new colors done for Russ Cochran’s 1980 slipcased reprint of the series.
Notes:
Promo ad for EC titles.
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Cover story. This story was inspired by Orson Welles' 1938 broadcast of The War of the Worlds. The radio broadcaster in this story is named Carson Walls.
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This story picks up at the moment the story "Atomic Bomb Thief," from Weird Fantasy (EC, 1950 series) #14, leaves off - the real atomic bomb test on Bikini Atoll July 25, 1946. It is not actually a sequel, as the stories have no characters in common.
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Promo ad for Two-Fisted Tales (EC, 1950 series) #18.
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Promo ad for Picture Stories series of titles.
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Letters from Miss J. Smith, David P. Alterbaum, and Shlomie's Magazine and Uranium Emporium.
Notes:
Colors were previously recorded as the work of Marie Severin, but it is unlikely that Severin had begun coloring at EC when this issue was colored (Cassell 2012, 33–34 and 171). The source previously cited by GCD may have been intended to refer to new colors done for Russ Cochran’s 1980 slipcased reprint of the series.
Notes:
Promo ad for EC titles.
Notes:
Colors were previously attributed to Marie Severin (see Indexer Notes for the cover of Weird Science (EC, 1951 series) #5).
Notes:
Cover story.
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Promo ad for Two-Fisted Tales (EC, 1950 series) #19
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Promo ad for Picture Stories series of titles.
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Letters from Jim Parry, Don Fuller, and "Pedro, the Radioactive Child."
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The masthead reads: "...and now, let's tell you about The Last War On Earth".
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Kamen's then five year old son "helped" the art by defacing it with childish scrawls. Kamen then held Bart's hand and guided it to retouch the art. Kamen felt Bart deserved art credit.
Notes:
Colors were previously recorded as the work of Marie Severin, but it is unlikely that Severin had begun coloring at EC when this issue was colored (Cassell 2012, 33–34 and 171). The source previously cited by GCD may have been intended to refer to new colors done for Russ Cochran’s 1980 slipcased reprint of the series.
Notes:
Promo ad for EC titles.
Notes:
Cover story.
Notes:
Marie Severin’s statement (1995) that “[Harvey] Kurtzman colored his own art, especially on covers...” suggests that Kurtzman colored stories that he drew, albeit perhaps less consistently than he colored his cover art.
Notes:
Promo ad for Two-Fisted Tales (EC, 1950 series) #20
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Promo ad for Picture Stories series of titles.
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Letters from Don Fuller, Paul Gammon, Jerry Webb, Estelle Kurtzman, and Ken Johnson.
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Colors were previously attributed to Marie Severin (see Indexer Notes for the cover of Weird Science (EC, 1951 series) #6).
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Inspired by "A Scientist Divides" by Donald Wandrei.
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Promo ad for other issues in the EC Archives series of titles.
Notes:
Back cover promo for issues reprinted in this issue.
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