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Issue: Famous Monsters of Filmland #58
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Title:
Variant: unnamed
Rating:
Publisher: FlagWarren
Indicia Publisher: Warren Publishing Co.
On Sale Date: (not set)
Volume: none
Pages: 68
ISBN: none
UPC/EAN: none
Price: $0.50 USD
Indicia Frequency:
Content Items: 2 (2 stories, 0 covers)
Editor(s): Forrest J. Ackerman (Editor-in-Chief); Nancy Nieman (Managing Editor)
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Disclose Format
Publication Type: Comic Book
Color: Color cover; black and white interior
Dimensions: Magazine size
Paper Stock: Newsprint
Binding:  
Publishing Format: Was Ongoing Series
Format Notes:  
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There is currently no data for this Issue being reprinted anywhere.
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Cover, Front
Original Artwork
Digital Edition
Adult Image
Title Page
Indicia on this Page
 
 
Assets0
 
The Mummy

Story  on  Interior Page(s)
Credits
Russ Jones
Dan Adkins ?
Wally Wood
?
Subject Matter
horror
Sir Joseph Whemple; Frank Whemple (his son); Norton (his assistant); Dr. Muller; Ardath Bey (the mummy Im-Ho-Tep); Helen Grosvenor
Reprinting
 
Miscellaneous
6
The Mummy

Story  on  Interior Page(s)
Credits
John L. Balderston (original script); Nina Wilcox Putnam (original story); Richard Schayer (original story)
Subject Matter
horror
The Mummy
Sir Joseph Whemple; Dr. Muller; Norton (death); The Mummy [Im-Ho Tep]; Frank Whemple; Ardath Bey; Helen Grosvenor [Princess Anck-Es-En-Amon]
Egypt! The Great Desert... burial place of the ancient kings!
Reprinting
 
Miscellaneous
6
This story is adapted from the screenplay for the 1932 Universal film The Mummy, with art swipes from movie stills.

Per J David Spurlock and his posting to the Grand Comics Database Facebook page on 18 May 2020, Russ Jones and Wally Wood worked in conjunction on this story adaptation together on the script, pencils, and inks (though it is possible Wood did most, if not all, the inking work here). Wood did the lettering alone.

Explaining Wood's method of working, Spurlock stated, "Wood's regular working method was not the Marvel/DC assembly line tradition of one person penciling and another inking. Wood would do 8.5x11 layouts, hand them to an assistant to find a reference from Wood's files; then the assistant would trace/copy the reference to a full-size board to match Wood's layout. Then Wood would turn it into "finished art" (more than inking) changing anything and everything he wanted along the way. If he trusted an assistant enough, he might also have them ink some simpler things like panel borders and backgrounds."

Dan Adkins had been credited as the penciler or the inker for this story in some sources (for example, Richard Arndt' Complete Warren Checklist), but per Spurlock Adkins did not begin working for Wood until 1965, after this story was originally published.

This is the first (pre-Creepy) original horror comics story done for Warren to be published.

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